Musictherapy in the Home with old people , rating and organization.
 
The applicative view of musictherapy with old people, offers a variety of situations as much as from an institutional point of view as from an applicative case. This operating diversity turns out to be, in my opinion, a point of force of the discipline. A richness of interests emerges and an unquestionable effort towards common values of action. More and more informative channels are opening useful for a cohesion of intentions, in Italy and in foreign countries. Center of the objective are obviously old people in their relationship with the sound. In this international contest My participation will illustrate my activity in the “Casa di Riposo Rossi Sidoli” near Parma (Italy) a big Home for old people. Here I’m working with self-sufficienct people, people with Alzheimer Dementia Parkinson disease or people at the end of life. The context and the setting is different but there are  common objectives: social  integration, activation of rehabilitation of movement through music, prevention of loss of cognitive skills ,to accompany life with music until death. This work is organized in agreement with other people who work in the home. In Compiano we exploit protocols to analyse the results. In this context In these years we have worked to elaborate protocol that has one clear development of the different situations in musictherapy. These protocols are used in others homes in Italy.
 
Annetta is a woman that lived in a Home. She was a very religious person and before  entering the home for the olderly “Rossi Sidoli” in Compiano near Parma (Italy) she lived in a town in the mountains. She was a self-sufficienct person, she singed and listened to music in the different context of my work of musictherapy. In these last years when I worked with musictherapy with different people (with Dementia, Alzheimer ecc) Annetta came near me and my accordion and participated, intoned songs or suggested the words. She liked the accordion’s sound and when she was a young person she danced folk music. But her conditions of health slowly aggravated and  Annetta lived the end of her life in her room in bed. Few people went into the room, her relatives lived in America and she wasn’t married. I went beside Annetta’s bed with my accordion and with improvised music and songs I have accompanied her life until the end. In this experience Annetta frequently sang one famous song that was about the separation from the mountains and the mother. She frequently demanded this song. My work with musictherapy in this situation hasn’t changed the word of the song but with calibrate use of accordion have varied the parameters of sound, time, dynamic, and the structure of the song to adapt to annetta’s  situation to accompany her life towards the silent.
This experience used the method of “Sonorous Dialogue” with reference to Humanistic Musictherapy used in Italy.
Roberto Bellavigna: www.robertobellavigna.blogspot.com       www.rossisidoli.com
 
 

 

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